Cinema II: Time-Image
Cinema theory is not about cinema ‘, but about concepts caused by cinema that are themselves related to other concepts corresponding to other practices.
Cinema II: Time-Image
Artikelnr.: 171675230

Cinema II: Time-Image

Artikelnr.: 171675230

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Besondere Merkmale

Stunning Artwork
Elevate your collection with a visually striking cardboard cover that enhances aesthetic appeal, making it perfect for display and gifting for cinema enthusiasts.
Durable Design
Crafted with high-quality materials for long-lasting durability, ensuring your collection remains in pristine condition and withstands everyday handling.
Limited Edition
This collectible cover is a limited release, providing exclusivity for collectors and fans, making it a must-have item to enhance your cinema library.

Produktdetails

Shop Cinema II: Time-Image online at a best price in Liechtenstein. B0F9LQZCYP
  • In this second volume of his work focusing on cinema, Gilles Deleuze completes the painting of cinema-specific indicators, which he developed inspired by Peirce in the first volume (Cinema I: Movement-Image), by tracing the new conceptual practices that emerged in cinema. For this reason, it distinguishes a new type of image that is different from the action-based cinema that characterized cinema before World War 2, in which the sensory-motor chain is broken and thus has the capacity to present time directly. The main question in this new cinema, which Deleuze meets with the concept of time-image, is “. What will we see in the next image?” what will be seen in the “image rather than being?” it will become. “For many people, philosophy ‘made’ is not something that is already done in a ready sky. However, philosophical theory itself is as much a practice as its object. It is no more abstract than its object. It is a practice of concepts and it is necessary to judge it in the light of other practices in which it is intertwined. A cinema theory is not about cinema ‘, but about concepts caused by cinema that are themselves related to other concepts corresponding to other practices, and just as an object has no priority over other objects, conceptual practice in general has no priority over other practices. (...) Great cinema directors are like great painters or great musicians: they are the ones who will talk best about their own work. But as they speak, they become something else; they become philosophers or theorists; This is true even for Hawks, who has no business with theories, and even for Godard, who pretends to belittle theories. The concepts of cinema are not given in cinema. However, these are concepts of cinema, not theories on cinema. It happens that there always comes a time of day when, at midnight or in the middle of the day, what is ‘cinema?’ not, ‘, what is philosophy?’ it is necessary to ask.” How an image survives, that's the whole point! Translator Name: Emre Koyuncu, Burcu Yalım Show more
PublishersNorgunk Publishing
Date of publicationApril 30, 2025
PrintsClassic Edition
Print Length343 pages
Reading age12 years and above
Dimensions15 x 21.5 x 2.4 cm
Item Weight1.5 lbs (680 grams)

Für wen ist das Produkt geeignet?

Suitable For
  • Film Students

    Ideal for film students studying cinematic techniques and exploring time-image concepts through practical examples.

  • Art Enthusiasts

    Perfect for art enthusiasts who appreciate the intersection of film, visual arts, and philosophy in cinema.

  • Collectors

    A must-have for collectors of unique film memorabilia or those interested in limited edition cinema items.

Not Suitable For
  • Casual Viewers

    Not suitable for casual viewers who prefer mainstream films without complex narrative or philosophical elements.

PRODUKTBESCHREIBUNG

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Kunden Fragen und Antworten

  • Frage: What is the main focus of Cinema II: Time-Image?

    Antworten: It focuses on the evolution of cinema and introduces the concept of the time-image, differentiating it from traditional action-based cinema.
  • Frage: Who is the author of Cinema II: Time-Image?

    Antworten: The author is Gilles Deleuze, a prominent philosopher known for his work in cinema theory.
  • Frage: What can readers expect to gain from this book?

    Antworten: Readers can expect to gain a richer understanding of cinema's conceptual practices and its relationship with philosophy.

Gilles Deleuze Format: Karton Kapak Editorial Review

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Vorteile

  • Engaging storyline
  • High-quality visuals
  • Strong character development
  • Immersive soundtrack
  • Critically acclaimed performances

Nachteile

  • Some scenes may feel slow.

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