Cinema II: Time-Image
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Cinema theory is not about cinema ‘, but about concepts caused by cinema that are themselves related to other concepts corresponding to other practices.
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Produktdetails
- In this second volume of his work focusing on cinema, Gilles Deleuze completes the painting of cinema-specific indicators, which he developed inspired by Peirce in the first volume (Cinema I: Movement-Image), by tracing the new conceptual practices that emerged in cinema. For this reason, it distinguishes a new type of image that is different from the action-based cinema that characterized cinema before World War 2, in which the sensory-motor chain is broken and thus has the capacity to present time directly. The main question in this new cinema, which Deleuze meets with the concept of time-image, is “. What will we see in the next image?” what will be seen in the “image rather than being?” it will become. “For many people, philosophy ‘made’ is not something that is already done in a ready sky. However, philosophical theory itself is as much a practice as its object. It is no more abstract than its object. It is a practice of concepts and it is necessary to judge it in the light of other practices in which it is intertwined. A cinema theory is not about cinema ‘, but about concepts caused by cinema that are themselves related to other concepts corresponding to other practices, and just as an object has no priority over other objects, conceptual practice in general has no priority over other practices. (...) Great cinema directors are like great painters or great musicians: they are the ones who will talk best about their own work. But as they speak, they become something else; they become philosophers or theorists; This is true even for Hawks, who has no business with theories, and even for Godard, who pretends to belittle theories. The concepts of cinema are not given in cinema. However, these are concepts of cinema, not theories on cinema. It happens that there always comes a time of day when, at midnight or in the middle of the day, what is ‘cinema?’ not, ‘, what is philosophy?’ it is necessary to ask.” How an image survives, that's the whole point! Translator Name: Emre Koyuncu, Burcu Yalım Show more
| Publishers | Norgunk Publishing |
| Date of publication | April 30, 2025 |
| Prints | Classic Edition |
| Print Length | 343 pages |
| Reading age | 12 years and above |
| Dimensions | 15 x 21.5 x 2.4 cm |
| Item Weight | 1.5 lbs (680 grams) |
Für wen ist das Produkt geeignet?
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Film Students
Ideal for film students studying cinematic techniques and exploring time-image concepts through practical examples.
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Art Enthusiasts
Perfect for art enthusiasts who appreciate the intersection of film, visual arts, and philosophy in cinema.
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Collectors
A must-have for collectors of unique film memorabilia or those interested in limited edition cinema items.
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Casual Viewers
Not suitable for casual viewers who prefer mainstream films without complex narrative or philosophical elements.
PRODUKTBESCHREIBUNG
Kunden Fragen und Antworten
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Frage:
What is the main focus of Cinema II: Time-Image?
Antworten: It focuses on the evolution of cinema and introduces the concept of the time-image, differentiating it from traditional action-based cinema. -
Frage:
Who is the author of Cinema II: Time-Image?
Antworten: The author is Gilles Deleuze, a prominent philosopher known for his work in cinema theory. -
Frage:
What can readers expect to gain from this book?
Antworten: Readers can expect to gain a richer understanding of cinema's conceptual practices and its relationship with philosophy.
Gilles Deleuze Format: Karton Kapak Editorial Review
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Vorteile
- Engaging storyline
- High-quality visuals
- Strong character development
- Immersive soundtrack
- Critically acclaimed performances
Nachteile
- Some scenes may feel slow.
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Merkmale und Vorteile
- Explore Gilles Deleuze's profound insights on cinema.
- Understand the evolution from action-based cinema to the time-image.
- Delve into how cinema influences and intertwines with philosophical concepts.
- Reflect on the importance of understanding cinema beyond its visual elements.
- Learn how great directors embody philosophical thinking through their work.
- Discover a deeper appreciation of cinema as a practice of concepts.
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